Philip Kennicott , The Washington Post; The Smithsonian faces an existential crisis. The world is watching.
"The Smithsonian has a long and sadly craven history of caving to critics, including making changes to exhibitions after pressure from activists and members of Congress. Former Smithsonian secretary G. Wayne Clough censored an NPG exhibition of portraiture featuring LGBT people in 2010, after pressure from conservative Christian activists. Clough forced museum curators to remove a single video, by the gay artist and AIDS activist David Wojnarowicz, which actually made the exhibition more popular when it traveled to Brooklyn and Tacoma, Washington.
The precedent for that intrusion on editorial independence had been established at least since 1995, when the National Air and Space Museum censored an exhibition about the Enola Gay, the plane that dropped the first atomic bomb. The Enola Gay controversy, which centered on some veterans’ opposition to an evenhanded curatorial discussion of why the bomb was dropped and whether it was necessary, damaged the institution, but it also helped foster widespread and lasting resistance to censorship and content meddling throughout the organization.
But those examples were mere brush fires compared with the destruction that would follow a new precedent, the right of the president of the United States to dictate hiring and content. Trump’s ongoing efforts to assert control over the performing arts, museum sector and the larger American historical narrative have been audacious and destructive. Subscriptions sales at the Kennedy Center are down some 36 percent from last year, and community arts and humanities groups around the country are suffering from the loss of small but essential grants from organizations including the National Endowment for the Arts, the National Endowment for the Humanities and the Institute of Museum and Library Services."
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