Showing posts with label creators. Show all posts
Showing posts with label creators. Show all posts

Sunday, July 12, 2026

AI Bots Stole My Music; Philadelphia Magazine, July 10, 2026

 , Philadelphia Magazine; AI Bots Stole My Music

One West Philly musician’s surreal, unsettling journey into the world of fake artists, bot listeners, and the streaming industry that’s failing creators. 

"The fear that Carey Dupont would replace us wasn’t just some abstract notion; in the year before we found it, the tracks on Blue Road had been listened to close to 50,000 times each. By contrast, many of the original recordings had only 1,000 to 2,000 listens despite being released four years earlier. Someone was using our music to play the streaming game and was massively outperforming us."

Sunday, June 7, 2026

You Might Be a Late Bloomer The life secrets of those who flailed early but succeeded by old age; The Atlantic, June 26, 2024

 David Brooks, The Atlantic; You Might Be a Late Bloomer: The life secrets of those who flailed early but succeeded by old age

"“Young people are just smarter,” Zuckerberg once said, in possibly the dumbest statement in American history. “There are no second acts in American lives,” F. Scott Fitzgerald once observed, in what might be the next dumbest.

But for many people, the talents that bloom later in life are more consequential than the ones that bloom early...

Successful late bloomers are all around us. Morgan Freeman had his breakthrough roles in Street Smart and Driving Miss Daisy in his early 50s. Colonel Harland Sanders started Kentucky Fried Chicken in his 60s. Isak Dinesen published the book that established her literary reputation, Out of Africa, at 52. Morris Chang founded Taiwan Semiconductor Manufacturing, the world’s leading chipmaker, at 55. If Samuel Johnson had died at 40, few would remember him, but now he is considered one of the greatest writers in the history of the English language. Copernicus came up with his theory of planetary motion in his 60s. Grandma Moses started painting at 77. Noah was around 600 when he built his ark (though Noah truthers dispute his birth certificate)...

I’ve noticed this pattern again and again: Slow at the start, late bloomers are still sprinting during that final lap—they do not slow down as age brings its decay. They are seeking. They are striving. They are in it with all their heart."

Tuesday, April 21, 2026

YouTube Opens Up AI Deepfake Detection Tool to All of Hollywood (Exclusive); The Hollywood Reporter, April 21, 2026

 Alex Weprin, The Hollywood Reporter ; YouTube Opens Up AI Deepfake Detection Tool to All of Hollywood (Exclusive)

The tool, which requires a celebrity to upload their likeness, will flag potentially infringing content — like, say, a star playing a role in fan-generated movie — for a possible takedown.

"Executives at the Google-owned platform tell The Hollywood Reporter that their proprietary deepfake detection tool, years in the making, is now open to anyone at high risk of having their likeness abused: Actors, athletes, creators and musicians, whether they have a YouTube channel or not, can sign up to identify and request removal of deepfakes on its platform...

The timing of the tool’s expansion comes as the industry grapples with the continued growth of deepfakes across platforms, and with video models quickly turning hypothetical worst-case scenarios into reality for many stars."

Saturday, April 11, 2026

Monday, March 30, 2026

Axios AI+DC Summit: Copyright protection in the AI era will be up to the courts, industry leaders say; Axios, March 27, 2026

  Julie Bowen, Axios ; Axios AI+DC Summit: Copyright protection in the AI era will be up to the courts, industry leaders say

"Washington, D.C. — As policymakers grapple with how to regulate AI, the hardest questions around copyright and fair use are being punted to the courts, according to governance, creator, and technology experts at an Axios expert voices roundtable.

The big picture: With Congress moving slowly and disagreements over policy, judges are becoming the primary deciders of how AI and the creators work together — or don't.


That's partly by necessity: "Fair use is incredibly complicated — case by case, fact specific," News/Media Alliance president and CEO Danielle Coffey said.


"Each case that we get … we start to get these new guideposts," Jones Walker partner Graham Ryan said.


Ryan said they expect at least three fair use decisions this year that will have implications for the broader AI-artist ecosystem.


Axios' Maria Curi and Ashley Gold moderated the March 25 discussion, which was sponsored by Adobe.

What they're saying: Legal uncertainty remains. For example, two courts within the same district, and during the same week, differed in the reasoning behind their rulings on similar matters of fair use and AI.


"There is a current, live controversy over … the extant understanding of the fourth factor in fair use, which is: Does the copy replace the market for the work?" said Kevin Bankston, senior adviser for the Center for Democracy & Technology.


Still, "we have been trying to support the process through the courts, because we think there is a really strong framework in copyright law for protecting artists right now," according to Public Knowledge president and CEO Chris Lewis."

Friday, March 27, 2026

Q&A: The UK’s Copyright Report - A Gift to Creators, a Problem for AI; JD Supra, March 27, 2026

 Oliver Howley, JD Supra; Q&A: The UK’s Copyright Report - A Gift to Creators, a Problem for AI

"The UK Government has released its long-awaited copyright report, framed as an attempt to reconcile the competing interests of creators, technology companies and the wider innovation ecosystem. Rightsholders will welcome it, while the UK’s AI sector will find less comfort.

Two core policy decisions (on training data and on the ownership of AI-generated outputs) mark a shift away from earlier, more developer-friendly proposals. Both decisions leave significant questions unanswered: how AI developers can lawfully assemble training data at scale, what happens to content produced with minimal human input, and whether the UK’s current posture is sustainable in a world where capital and training runs are increasingly mobile.

In this Q&A, Oliver Howley, partner in Proskauer’s TMT Group and one of The Lawyer’s 2026 Hot 100, unpacks what the report says on these two decisions, what it leaves open, and what it means for developers, investors and rightsholders navigating the uncertainty ahead."

Thursday, March 26, 2026

America's Newspapers emphasizes importance of protecting publishers’ intellectual property; Editor & Publisher, March 25, 2026

 Staff | America's Newspapers , Editor & Publisher; America's Newspapers emphasizes importance of protecting publishers’ intellectual property

"America’s Newspapers has issued the following statement in response to the comprehensive national legislative framework on artificial intelligence released by the Trump administration...

Specifically, the framework affirms that the creative works and unique identities of American innovators, creators and publishers must be respected in the age of AI. At the same time, it recognizes that artificial intelligence systems require access to information to learn and improve, and proposes a balanced approach that both enables innovation and safeguards the rights of content creators.

“America’s Newspapers strongly supports the administration’s recognition that high-quality journalism and original content are essential to the continued strength of our democracy and economy,” said Matt McMillan, chair of America’s Newspapers and CEO of Press Publications."

Tuesday, March 24, 2026

Chicken Soup for the Soul Sues AI Firms for Copyright Infringement; Publishers Weekly, March 20, 2026

  Ed Nawotka , Publishers Weekly; Chicken Soup for the Soul Sues AI Firms for Copyright Infringement

"Chicken Soup for the Soul is suing tech companies OpenAI, Anthropic, Google, Meta, xAI, Perplexity, Apple, and Nvidia for copyright infringement. The suit, filed March 17 in the Northern District of California, alleges that hundreds of its copyrighted works were ingested without authorization or compensation to train large language models...

Much like the complaint filed in December by author John Carreyrou and others against many of the same defendants, this filing also aims to challenge the class-action model that has dominated AI copyright litigation.

Pointing to the pending Anthropic settlement in the Northern District of California, the suit notes that the framework would pay rights holders approximately $3,000 per work—"just 2% of the Copyright Act's statutory ceiling of $150,000 per willfully infringed work." The complaint states that such settlements "seem to serve Defendants, not creators."

Chicken Soup for the Soul is instead seeking individualized statutory damages determined by a jury. The law firms behind the suit say more than 1,000 authors representing more than 5,000 works have signed on to the same approach."

Friday, January 23, 2026

Actors And Musicians Help Launch “Stealing Isn’t Innovation” Campaign To Protest Big Tech’s Use Of Copyrighted Works In AI Models; Deadline, January 22, 2026

 Ted Johnson , Deadline; Actors And Musicians Help Launch “Stealing Isn’t Innovation” Campaign To Protest Big Tech’s Use Of Copyrighted Works In AI Models

"A long list of musicians, content creators and actors are among those who have signed on to a new campaign to protest tech giants’ use of copyrighted works in their AI models.

The list of signees includes actors like Scarlett Johansson and Cate Blanchett, music groups like REM and authors like Brad Meltzer. 

The ‘Stealing Isn’t Innovation” campaign is being led by the Human Artistry Campaign. It states that “respect and protect” the Creative community, “some of the biggest tech companies, many backed by private equity and other funders, are using American creators’ work to build AI platforms without authorization or regard for copyright law.”"

Sunday, December 21, 2025

Proposal to allow use of Australian copyrighted material to train AI abandoned after backlash; The Guardian, December 19, 2025

  , The Guardian; Proposal to allow use of Australian copyrighted material to train AI abandoned after backlash

"The Productivity Commission has abandoned a proposal to allow tech companies to mine copyrighted material to train artificial intelligence models, after a fierce backlash from the creative industries.

Instead, the government’s top economic advisory body recommended the government wait three years before deciding whether to establish an independent review of Australian copyright settings and the impact of the disruptive new technology...

In its interim report on the digital economy, the commission floated the idea of granting a “fair dealing” exemption to copyright rules that would allow AI companies to mine data and text to develop their large language models...

The furious response from creative industries to the commission’s idea included music industry bodies saying it would “legitimise digital piracy under guise of productivity”."

Monday, December 15, 2025

Government's AI consultation finds just 3% support copyright exception; The Bookseller, December 15, 2025

 MAIA SNOW, The Bookseller ; Government's AI consultation finds just 3% support copyright exception

"The initial results of the consultation found that the majority of respondents (88%) backed licences being required in all cases where data was being used for AI training. Just 3% of respondents supported the government’s preferred options, which would allow data mining by AI companies and require rights holders to opt-out."

Sunday, December 14, 2025

(Podcast) The Briefing: What Is Fair Use and Why Does It Matter? (Featured); JDSupra, December 5, 2025

 Richard Buckley, Jr. and Scott Hervey, JDSupra ; (Podcast) The Briefing: What Is Fair Use and Why Does It Matter? (Featured)

"Creators, beware: just because it’s online doesn’t mean it’s fair game. In this episode of The Briefing, Scott Hervey and Richard Buckley break down one of the most misunderstood areas of copyright law—fair use.

In this featured episode, they cover:

- What makes a use “transformative”?

- Why credit alone doesn’t protect you

- How recent court rulings (Warhol v. Goldsmith) are changing the game

- Tips to stay on the right side of the law"

Wednesday, December 10, 2025

AI firms began to feel the legal wrath of copyright holders in 2025; NewScientist, December 10, 2025

 Chris Stokel-Walker , NewScientist; AI firms began to feel the legal wrath of copyright holders in 2025

"The three years since the release of ChatGPT, OpenAI’s generative AI chatbot, have seen huge changes in every part of our lives. But one area that hasn’t changed – or at least, is still trying to maintain pre-AI norms – is the upholding of copyright law.

It is no secret that leading AI firms built their models by hoovering up data, including copyrighted material, from the internet without asking for permission first. This year, major copyright holders struck back, buffeting AI companies were with a range of lawsuits alleging copyright infringement."

Wednesday, December 3, 2025

Bannon, top conservatives urge White House to reject Big Tech’s ‘fair use’ push to justify AI copyright theft: ‘Un-American and absurd’; New York Post, December 1, 2025

 Thomas Barrabi , New York Post; Bannon, top conservatives urge White House to reject Big Tech’s ‘fair use’ push to justify AI copyright theft: ‘Un-American and absurd’

"Prominent conservatives including Steve Bannon are urging the Trump administration to reject an increasingly popular argument that tech giants are using to rip off copyrighted material to train artificial intelligence.

So-called “fair use” doctrine – which argues that the use of copyrighted content without permission is legally justified if it is done in the public interest – has become a common defense for AI firms like Google, Mark Zuckerberg’s Meta and Microsoft who have been accused of ripping off work.

The argument’s biggest backers also include White House AI czar David Sacks, who has warned that Silicon Valley firms “would be crippled” in a crucial race against AI firms in China unless they can rely on fair use protection...

Bannon and his allies threw cold water on such claims in a Monday letter addressed to US Attorney General Pam Bondi and Michael Kratsios, who heads the White House’s Office of Science and Technology Policy.

“This is un-American and absurd,” the conservatives argued in the letter, which was exclusively obtained by The Post. “We must compete and win the global AI race the American way — by ensuring we protect creators, children, conservatives, and communities.”...

The conservatives point to clear economic incentives to back copyright-protected industries, which contribute more than $2 trillion to the US GDP, carry an average annual wage of more than $140,000 and account for a $37 billion trade surplus, according to the letter...

The letter notes that money is no object for the companies leading the AI boom, which “enjoy virtually unlimited access to financing” and are each valued at hundreds of billions, if not trillions of dollars.

“In a free market, businesses pay for the inputs they need,” the letter said. “Imagine if AI CEOs claimed they needed free access to semiconductors, energy, researchers, and developers to build their products. They would be laughed out of their boardrooms.”...

The letter is the latest salvo in a heated policy divide as AI models gobble up data from the web. Critics accuse companies like Google, Microsoft, OpenAI and Meta of essentially seeking a “license to steal” from news outlets, artists, authors and others that produce original work."

Sunday, November 23, 2025

Rock Hall ‘fair use’ ruling raises big questions for creators; Cleveland.com, November 21, 2025

  Cleveland.com; Rock Hall ‘fair use’ ruling raises big questions for creators

"Seeing things from both sides

“It can be a slippery-sloped and indeed it was a slippery slope,” said attorney Mark Avsec, partner and vice chair of the Intellectual Property Group of Benesch, Friedlander, Coplan & Aronoff.

Avsec was part of the funk-rock band Wild Cherry (“Play That Funky Music”) and was an original member of Donnie Iris & the Cruisers. The keyboardist-songwriter wrote or co-wrote all the latter band’s music, was its sole lyricist and produced all of its albums.

“[C]ases started evolving to where any derivative work based on a copyrighted work was almost by definition transformative and therefore a fair use,” he said. 

“That can’t be right. A copyright owner’s ability to authorize or not authorize derivative works based on the copyrighted work is an important right under the Copyright Act.”

Avsec said that the Supreme Court’s ruling in the recent Warhol case reset things."

Wednesday, November 19, 2025

Disney has lost Roger Rabbit: Termination of Transfer is the most pro-artist form of copyright.; Medium, November 18, 2025

Cory Doctorow, Medium; Disney has lost Roger Rabbit

Termination of Transfer is the most pro-artist form of copyright.

"Gary K Wolf is the author of a fantastic 1981 novel called Who Censored Roger Rabbit? which Disney licensed and turned into an equally fantastic 1988 live action/animated hybrid movie called Who Framed Roger Rabbit? But despite the commercial and critical acclaim of the movie, Disney hasn’t made any feature-length sequels.

This is a nightmare scenario for a creator: you make a piece of work that turns out to be incredibly popular, but you’ve licensed it to a kind of absentee landlord who owns the rights but refuses to exercise them. Luckily, the copyright system contains a provision designed to rescue creative workers who fall into this trap: “Termination of Transfer.”

“Termination of Transfer” was introduced via the 1976 Copyright Act. It allows creators to unilaterally cancel the copyright licenses they have signed over to others, by waiting 35 years and then filing some paperwork with the US Copyright Office."

Saturday, June 28, 2025

The Anthropic Copyright Ruling Exposes Blind Spots on AI; Bloomberg, June 26, 2025

  , Bloomberg; The Anthropic Copyright Ruling Exposes Blind Spots on AI


[Kip Currier: It's still early days in the AI copyright legal battles underway between AI tech companies and everyone else whose training data was "scarfed up" to enable the former to create lucrative AI tools and products. But cases like this week's Anthropic lawsuit win and another suit won by Meta (with some issues still to be adjudicated regarding the use of pirated materials as AI training data) are finally now giving us some more discernible "tea leaves" and "black letter law" as to how courts are likely to rule vis-a-vis AI inputs.

This week being the much ballyhooed 50th anniversary of the so-called "1st summer blockbuster flick" Jaws ("you're gonna need a bigger boat"), these rulings make me think we the public may need a bigger copyright law schema that sets out protections for the creatives making the fuel that enables stratospherically profitable AI innovations. The Jaws metaphor may be a bit on-the-nose, but one can't help but view AI tech companies akin to rapacious sharks that are imperiling the financial survival and long-standing business models of human creators.

As touched on in this Bloomberg article, too, there's a moral argument that what AI tech folks have done with the uncompensated use of creative works, without permission, doesn't mean that it's ethically justifiable simply because a court may say it's legal. Or that these companies shouldn't be required by updated federal copyright legislation and licensing frameworks to fairly compensate creators for the use of their copyrighted works. After all, billionaire tech oligarchs like Zuckerberg, Musk, and Altman would never allow others to do to them what they've done to creatives with impunity and zero contrition.

Are you listening, Congress?

Or are all of you in the pockets of AI tech company lobbyists, rather than representing the needs and interests of all of your constituents and not just the billionaire class.] 


[Excerpt]

"In what is shaping up to be a long, hard fight over the use of creative works, round one has gone to the AI makers. In the first such US decision of its kind, District Judge William Alsup said Anthropic’s use of millions of books to train its artificial-intelligence model, without payment to the sources, was legal under copyright law because it was “transformative — spectacularly so.”...

If a precedent has been set, as several observers believe, it stands to cripple one of the few possible AI monetization strategies for rights holders, which is to sell licenses to firms for access to their work. Some of these deals have already been made while the “fair use” question has been in limbo, deals that emerged only after the threat of legal action. This ruling may have just taken future deals off the table...

Alsup was right when he wrote that “the technology at issue was among the most transformative many of us will see in our lifetimes.”...

But that doesn’t mean it shouldn’t pay its way. Nobody would dare suggest Nvidia Corp. CEO Jensen Huang hand out his chips free. No construction worker is asked to keep costs down by building data center walls for nothing. Software engineers aren’t volunteering their time to Meta Platforms Inc. in awe of Mark Zuckerberg’s business plan — they instead command salaries of $100 million and beyond. 

Yet, as ever, those in the tech industry have decided that creative works, and those who create them, should be considered of little or no value and must step aside in service of the great calling of AI — despite being every bit as vital to the product as any other factor mentioned above. As science-fiction author Harlan Ellison said in his famous sweary rant, nobody ever wants to pay the writer if they can get away with it. When it comes to AI, paying creators of original work isn’t impossible, it’s just inconvenient. Legislators should leave companies no choice."

Wednesday, May 21, 2025

We're All Copyright Owners. Why You Need to Care About AI and Copyright; CNET, May 19, 2025

 Katelyn Chedraoui , CNET; We're All Copyright Owners. Why You Need to Care About AI and Copyright

"Most of us don't think about copyright very often in our daily lives. But in the age of generative AI, it has quickly become one of the most important issues in the development and outputs of chatbots and image and video generators. It's something that affects all of us because we're all copyright owners and authors...

What does all of this mean for the future?

Copyright owners are in a bit of a holding pattern for now. But beyond the legal and ethical implications, copyright in the age of AI raises important questions about the value of creative work, the cost of innovation and the ways in which we need or ought to have government intervention and protections. 

There are two distinct ways to view the US's intellectual property laws, Mammen said. The first is that these laws were enacted to encourage and reward human flourishing. The other is more economically focused; the things that we're creating have value, and we want our economy to be able to recognize that value accordingly."

Wednesday, April 16, 2025

Why Musk and Dorsey want to ‘delete all IP law’; The Washington Post, April 15, 2025

 

Analysis by 
 and 
with research by 
 , The Washington Post; Why Musk and Dorsey want to ‘delete all IP law’

"Jack Dorsey, the co-founder of Twitter and CEO of Square, posted a cryptic and drastic demand on Elon Musk’s X over the weekend: “delete all IP law.” The post drew a quick reply from Mr. X himself: “I agree.”

Musk’s laconic response amplified Dorsey’s post to his 220 million followers and sparked a debate that drew in a cast of characters including Epic Games CEO Tim Sweeney, tech lawyer and former vice presidential candidate Nicole Shanahan, novelist Walter Kirn, evolutionary psychologist Geoffrey Miller and the technologist and early Twitter developer Evan Henshaw-Plath, a.k.a. Rabble, among others...

Serious policy idea or not, the concord between Dorsey and Musk highlights how the debate over AI and copyright law is coming to a head in Silicon Valley.

How it’s resolved will have major ramifications for the tech companies, creative people and their livelihoods and the overall AI race."

Friday, March 21, 2025

AI firms push to use copyrighted content freely; Axios, March 20, 2025

  Ina Fried, Axios; AI firms push to use copyrighted content freely

"A sharp divide over AI engines' free use of copyrighted material has emerged as a key conflict among the firms and groups that recently flooded the White House with advice on its forthcoming "AI Action Plan."

Why it matters: Copyright infringement claims were among the first legal challenges following ChatGPT's launch, with multiple lawsuits now winding their way through the courts.

Driving the news: In their White House memos, OpenAI and Google argue that their  use of copyrighted material for AI is a matter of national security — and if that use is limited, China will gain an unfair edge in the AI race."