We're All Copyright Owners. Welcome to the Mess That AI Has Created; CNET, March 23, 2026

 

Katelyn Chedraoui , CNET; We're All Copyright Owners. Welcome to the Mess That AI Has Created

Copyright is one of the most important legal issues in the age of AI. And yes, it affects you.

"You probably rarely, if ever, think about copyright law. But if you want to understand why there are so many lawsuits being filed against AI companies, knowing a bit about copyright law is key. And whether you know it or not, these issues affect you.

If you've ever written a blog post, taken a photo or created an original video, you're a copyright owner. That's most of us, which means that copyright law -- its protections, limitations and application -- is more relevant to you than you might've thought. Sadly, copyright in the age of generative AI is something of a mess."

We're All Copyright Owners. Why You Need to Care About AI and Copyright; CNET, May 19, 2025

 Katelyn Chedraoui , CNET; We're All Copyright Owners. Why You Need to Care About AI and Copyright

"Most of us don't think about copyright very often in our daily lives. But in the age of generative AI, it has quickly become one of the most important issues in the development and outputs of chatbots and image and video generators. It's something that affects all of us because we're all copyright owners and authors...

What does all of this mean for the future?

Copyright owners are in a bit of a holding pattern for now. But beyond the legal and ethical implications, copyright in the age of AI raises important questions about the value of creative work, the cost of innovation and the ways in which we need or ought to have government intervention and protections. 

There are two distinct ways to view the US's intellectual property laws, Mammen said. The first is that these laws were enacted to encourage and reward human flourishing. The other is more economically focused; the things that we're creating have value, and we want our economy to be able to recognize that value accordingly."

Ben Stiller, Mark Ruffalo and More Than 400 Hollywood Names Urge Trump to Not Let AI Companies ‘Exploit’ Copyrighted Works; Variety, March 17, 2025

 Todd Spangler , Variety; Ben Stiller, Mark Ruffalo and More Than 400 Hollywood Names Urge Trump to Not Let AI Companies ‘Exploit’ Copyrighted Works

"More than 400 Hollywood creative leaders signed an open letter to the Trump White House’s Office of Science and Technology Policy, urging the administration to not roll back copyright protections at the behest of AI companies.

The filmmakers, writers, actors, musicians and others — which included Ben Stiller, Mark Ruffalo, Cynthia Erivo, Cate Blanchett, Cord Jefferson, Paul McCartney, Ron Howard and Taika Waititi — were submitting comments for the Trump administration’s U.S. AI Action Plan⁠. The letter specifically was penned in response to recent submissions to the Office of Science and Technology Policy from OpenAI and Google, which asserted that U.S. copyright law allows (or should allow) allow AI companies to train their system on copyrighted works without obtaining permission from (or compensating) rights holders."

OpenAI declares AI race “over” if training on copyrighted works isn’t fair use; Ars Technica, March 13, 2025

 ASHLEY BELANGER  , Ars Technica; OpenAI declares AI race “over” if training on copyrighted works isn’t fair use

"OpenAI is hoping that Donald Trump's AI Action Plan, due out this July, will settle copyright debates by declaring AI training fair use—paving the way for AI companies' unfettered access to training data that OpenAI claims is critical to defeat China in the AI race.

Currently, courts are mulling whether AI training is fair use, as rights holders say that AI models trained on creative works threaten to replace them in markets and water down humanity's creative output overall.

OpenAI is just one AI company fighting with rights holders in several dozen lawsuits, arguing that AI transforms copyrighted works it trains on and alleging that AI outputs aren't substitutes for original works.

So far, one landmark ruling favored rights holders, with a judge declaring AI training is not fair use, as AI outputs clearly threatened to replace Thomson-Reuters' legal research firm Westlaw in the market, Wired reported. But OpenAI now appears to be looking to Trump to avoid a similar outcome in its lawsuits, including a major suit brought by The New York Times."

Change at the Copyright Office; Publishers Weekly, 10/28/16

Andrew Albanese, Publishers Weekly; Change at the Copyright Office:

"Could Pallante’s departure spur Congress to finally appropriate sufficient resources to modernize the Copyright Office, which virtually everyone agrees is badly needed and long overdue? Hayden herself said she intends to build on the work Pallante did in terms of modernizing the Copyright Office for the digital age.

Or, might Pallante’s removal push Congress to consider removing the office from the Library of Congress altogether? Pallante was certainly held in high esteem by lawmakers. But sources expressed doubt that in the current political climate Congress would seek to create a new federal bureaucracy for copyright—which is the domain of Congress—that would be headed by a presidential appointee.

At the very least, ALA’s Sheketoff observed that Pallante’s removal suggests that the future of the U.S. Copyright Office is a high priority for at least one government official—Carla Hayden."

Maria Pallante's Departure From the Copyright Office: What It Means, And Why It Matters; Billboard, 10/25/16

Robert Levine, Billboard; Maria Pallante's Departure From the Copyright Office: What It Means, And Why It Matters:

"Days after U.S. Register of Copyrights Maria Pallante was moved out of her job, music business lawyers and lobbyists are still trying to figure out what happened, as well as what it means for the future. While Pallante had no lawmaking power, she was the country’s top copyright official, and her sudden removal could suggest a more skeptical view of the value of intellectual property in Washington DC.

“People I know who care about copyright are very disturbed,” says Marybeth Peters, Pallante’s predecessor as Register, who held the job from 1994 to 2010. “Nothing like this has ever happened there before.”...

On Friday, October 21, Librarian of Congress Carla Hayden, who took office in mid-September, said that Pallante had been appointed as a senior advisor for digital strategy, and that Karyn Temple Claggett, currently an associate register of copyrights, would become acting register. But Pallante wasn’t told about the appointment before it was announced, according to several sources, and she never accepted it. She was locked out of the Library of Congress computer system, a step that several former Copyright Office staffers say is extremely unusual. (The Library of Congress did not comment and attempts to reach Pallante were unsuccessful.) Pallante submitted her resignation On Monday, October 24."