From CLICK to CRIME: investigating intellectual property crime in the digital age; Europol, October 2025

 Europol; From CLICK to CRIME: investigating intellectual property crime in the digital age

"A new wave of online crime is putting consumers, businesses, and the wider economy at risk - from fake medicines and forged wine to illegal streaming platforms. The increase in counterfeit goods and the criminal abuse of intellectual property affect our daily lives more than many realise, with consequences that go far beyond lost revenue.

The conference “From CLICK to CRIME: Investigating Intellectual Property Crime in the Digital Age” was held on 22 and 23 October 2025 in Sofia, Bulgaria. Jointly organised by Europol, the European Union Intellectual Property Office (EUIPO) and Bulgaria’s General Directorate Combating Organised Crime (GDBOP), the event highlighted the vital importance of collaboration in tackling online crime. The participants reaffirmed the importance of strong collective efforts in tackling online-enabled intellectual property crime to protect consumers, safeguard creativity and uphold trust in the digital economy.

Consider a few key examples of the major threats posed by intellectual property crime:

• Illegal streaming and sharing platforms not only drain the cinema, publishing, musical and software industries but also expose viewers, especially children, to unregulated and potentially harmful content.
• Fake pharmaceuticals, supplements and illicit doping substances, promoted on social media and websites, are produced in clandestine labs without testing or quality control. Dangerous products, circulating in gyms and among amateur athletes, can cause severe or even fatal health effects.
• Counterfeit toys, perfumes, and cosmetics are also trafficked online and carry hidden dangers, trading low prices for high risks to health and safety.

Behind many of these schemes are well-structured organised criminal networks that view intellectual property crime not as a secondary activity, but as a lucrative business model."

Portland author has collected his dream library of books – and most of them don’t exist; Portland Press Herald, June 20, 2025

 Skyler Cummings, Portland Press Herald ; Portland author has collected his dream library of books – and most of them don’t exist

Hemingway’s missing novel. Alice’s backwards-printed book in "Through the Looking Glass." Sylvia Plath’s never-finished autobiography. Reid Byers owns copies of all those "invisible" books that bibliophiles wish were real.

[Kip Currier: Portland Press Herald is another example of a newspaper with an iron-clad paywall that doesn't provide access to even one sentence from this article. Just the headlines. 

If you're trying to attract new readers and subscribers to a communication medium that's hemorrhaging people who see its value, you might want to offer a glimpse of what your product looks and sounds like.]

Is Old Music Killing New Music?; The Atlantic, January 23, 2022

 Ted Gioia, The Atlantic ; Is Old Music Killing New Music?

"A series of unfortunate events are conspiring to marginalize new music. The pandemic is one of these ugly facts, but hardly the only contributor to the growing crisis.

Consider these other trends:...

When a new song overcomes these obstacles and actually becomes a hit, the risk of copyright lawsuits is greater than ever before. The risks have increased enormously since the “Blurred Lines” jury decision of 2015, and the result is that additional cash gets transferred from today’s musicians to old (or deceased) artists.

Adding to the nightmare, dead musicians are now coming back to life in virtual form—via holograms and “deepfake” music—making it all the harder for young, living artists to compete in the marketplace...

I learned the danger of excessive caution long ago, when I consulted for huge Fortune 500 companies. The single biggest problem I encountered—shared by virtually every large company I analyzed—was investing too much of their time and money into defending old ways of doing business, rather than building new ones. We even had a proprietary tool for quantifying this misallocation of resources that spelled out the mistakes in precise dollars and cents.

Senior management hated hearing this, and always insisted that defending the old business units was their safest bet. After I encountered this embedded mindset again and again and saw its consequences, I reached the painful conclusion that the safest path is usually the most dangerous. If you pursue a strategy—whether in business or your personal life—that avoids all risk, you might flourish in the short run, but you flounder over the long term. That’s what is now happening in the music business.

Even so, I refuse to accept that we are in some grim endgame, witnessing the death throes of new music." 

Print Is Dead? Not Here; The New York Times, September 2, 2018

Ted Geltner, The New York Times; Print Is Dead? Not Here

[Kip Currier: Timely New York Times article, given my Letter to the Editor that I emailed to The Pittsburgh Post-Gazette on September 1, 2018.]

"Practically every morning begins with a thud on the driveways of the roughly 50,000 homes here. The newspaper has arrived.

That newspaper, The Villages Daily Sun, which exhaustively covers this rapidly growing retirement community in Central Florida, is in the midst of a boom that few other papers can even imagine. According to the Alliance for Audited Media, the Sun’s weekday circulation of 55,700 is up 169 percent since 2003. Over the same time, weekday newspaper circulation across the United States has dropped 43 percent. (The Orlando Sentinel, the region’s largest newspaper, is down 53 percent.)...

Elsewhere around the country, the industry continues to cough and wheeze its way from print to digital, with layoffs and closings in its wake. Just this week, Pittsburgh became the largest city in the United States without a daily print paper when the Pittsburgh Post-Gazette announced it was cutting its print distribution to five days a week, ending a nearly 100-year history of seven-day-a-week publication."

Post-Gazette Is Going Digital, At Least On Some Days, With An Ad Campaign That Is Raising Eyebrows; KDKA 2 CBS Pittsburgh, August 22, 2018

Jon Delano, KDKA 2 CBS Pittsburgh; Post-Gazette Is Going Digital, At Least On Some Days, With An Ad Campaign That Is Raising Eyebrows

"The PG has billboards up around town and television ads on-air, featuring those who say they will never go digital.

One TV advertisement: “PGe and PG NewsSlide, who the bleep needs them. Last time I went on line they tried to track my cookies. They’ll never get my cookie recipe.” 

Another TV advertisement: “Now they’re telling me PG is going digital. They can stick their digital. I’m not doing that.” 

“It’s a little insensitive to the readers who really are connected to print, who really depend on print,” said [Andrew] Conte [director of Point Park University’s Center for Media Innovation].

Not true, says [Allan] Block [chairman of Block Communications that owns the PG]."

Tech's biggest companies are spreading conspiracy theories. Again.; CNN, February 21, 2018

Seth Fiegerman, CNN; Tech's biggest companies are spreading conspiracy theories. Again.

"To use Silicon Valley's preferred parlance, it's now hard to escape the conclusion that the spreading of misinformation and hoaxes is a feature, not a bug, of social media platforms -- and their business models.

Facebook and Google built incredibly profitable businesses by serving content they don't pay for or vet to billions of users, with ads placed against that content. The platforms developed better and better targeting to buoy their ad businesses, but not necessarily better content moderation to buoy user discourse."

John Oliver’s newspaper rant hits a nerve: “We’ve watched it being not-so-slowly destroyed by forces beyond our control”; Salon, 8/10/16

Scott Timberg, Salon; John Oliver’s newspaper rant hits a nerve: “We’ve watched it being not-so-slowly destroyed by forces beyond our control” :

"So part of what’s interesting about Oliver’s bit — which looked at both the causes of the decline as well as the effects, with his usual combination of hyperventilating moralism and comic exaggeration — is that some seem frustrated with it. And not just people who hate the press, but people who value what it does.

The most visible of these criticisms so far has come from the president of the Newspaper Association of America, who praised the segment’s opening. “But making fun of experiments,” David Chavern wrote, “and pining away for days when classified ads and near-monopolistic positions in local ad markets funded journalism is pointless and ultimately harmful.”

Sullivan, who was once the executive editor of the Buffalo News and the public editor of the New York Times, hit back sharply in a Post piece:

Actually, no. What Oliver did was precisely nail everything that’s been happening in the industry that Chavern represents: The shrinking staffs, the abandonment of important beats, the love of click bait over substance, the deadly loss of ad revenue, the truly bad ideas that have come to the surface out of desperation, the persistent failures to serve the reading public."

Journalism: Last Week Tonight with John Oliver (HBO); HBO via YouTube, 8/7/16

HBO via YouTube; Journalism: Last Week Tonight with John Oliver (HBO) :

"The newspaper industry is suffering. That’s bad news for journalists — both real and fictional."