Showing posts with label IP rights. Show all posts
Showing posts with label IP rights. Show all posts

Tuesday, May 5, 2026

Intellectual Property and Brainpower Versus AI in Academic Publish; Academe Magazine, AAUP, Spring 2026

 Kelly Hand , Academe Magazine, AAUP; Intellectual Property and Brainpower Versus AI in Academic Publish

"The concept of transformation is central to US copyright law—which privileges “transformative” uses of copyrighted material in evaluating “fair use”—and emerging case law on AI. It’s worth thinking about what kind of transformation we value as human readers and writers and as beneficiaries of published academic research—particularly as we reckon with piracy in the training of LLMs and the unchecked growth of the AI industry. Considerations about how academic publications enable AI’s transformative processes extend beyond concerns about emotional authenticity important in creative writing to those about intellectual integrity and factual accuracy. 

Authors, editors, and publishers will need to make consequential IP decisions—including those about settlements in lawsuits over AI piracy, invitations to enter into licensing agreements with AI companies seeking to avoid future lawsuits, and editorial policies and guidelines to prevent the misuse of AI in academic research and writing. Some individuals and organizations, including scholarly publications and presses, will encounter opportunities to “cash in.” However, their relatively modest financial gains facilitate the disproportionate enrichment of AI companies that use copyrighted material for training LLMs. Even if that use is transformative in the strict legal sense, it fails to effect the kind of transformation that depends on the uniquely human capacities for thinking, feeling, and complex analysis. Academic journals and university presses must also protect IP—by upholding ethical standards and principles of copyright law—and commit to publishing human-authored works."

Monday, May 4, 2026

Planning a World Cup Watch Party at a Bar? The ‘FIFA Police’ Are Lurking; The New York Times, May 2, 2026

, The New York Times; Planning a World Cup Watch Party at a Bar? The ‘FIFA Police’ Are Lurking

Some businesses advertising watch parties in Canada’s two host cities are wary of running afoul of FIFA’s trademark, which protects advertising “World Cup” events.

"Sports teams and athletic organizations, such as FIFA, the International Olympic Committee and others, are aggressive about protecting their intellectual property because their names, logos and brands are considered commercial assets."

Friday, May 1, 2026

Val Kilmer’s Daughter Responds to Criticism of AI Performance, Says Late Dad Wanted to ‘Set Precedent; TODAY, April 29, 2026

  Scott Stump, TODAY; Val Kilmer’s Daughter Responds to Criticism of AI Performance, Says Late Dad Wanted to ‘Set Precedent’

"Val Kilmer’s daughter explained why her family supports an AI-generated version of the late actor appearing in an upcoming movie, which has sparked a fierce debate in a Hollywood industry on edge about AI taking jobs from actors.

Mercedes Kilmer, 34, spoke on TODAY April 29 about an AI-generated version of the late star of "Top Gun," "The Doors" and "Tombstone" appearing as Father Fintan, a priest and Native American spiritualist in the upcoming movie "As Deep as the Grave." 

She said her father "wanted to do this" out of a desire to create "structures for actors to own their licensing and to have rights.""

Thursday, April 30, 2026

The Secret Weapon Against AI Dominance; The Atlantic, April 30, 2026

 Jacob Noti-Victor and Xiyin Tang, The Atlantic; The Secret Weapon Against AI Dominance

"More than 90 lawsuits have been filed by creators against AI companies for copyright infringement. Authors, musicians, visual artists, and news publishers have all accused firms such as OpenAI, Meta, and Anthropic of using their copyrighted works to train AI models without permission. (The Atlantic is involved in one such lawsuit, against the AI firm Cohere.) These cases are frequently framed as the defining fight over the future of creative labor and the entertainment industry as a whole. As one of these lawsuits put it, artists are seeking to end “infringement of their rights before their professions are eliminated by a computer program powered entirely by their hard work.”

But the future of creative labor will more likely be decided through a different question within copyright law, one that has received far less attention: To what extent should AI-generated works receive copyright protection at all? In a 2024 case, Thaler v. Perlmutter, the Court of Appeals for the District of Columbia held that a work generated autonomously by an AI system cannot be protected by copyright, because copyright requires a human “author.” The Supreme Court declined to review that decision in March. With the lower-court decision left in place, the question now becomes how much AI content can be incorporated into a work before it becomes mostly or totally uncopyrightable; courts have not yet weighed in on this but may soon.

The Thaler decision (and any future decisions that refine it) will have major economic consequences for the creative industries and the workers they employ."

Tuesday, April 21, 2026

Churchill Downs strikes $85m deal for Preakness intellectual property rights; The Guardian, April 21, 2026

  , The Guardian; Churchill Downs strikes $85m deal for Preakness intellectual property rights

"Churchill Downs has reached a deal to acquire the intellectual property rights to the Preakness Stakes, the company announced Tuesday, in a move that brings one of US thoroughbred racing’s most celebrated events under the same corporate umbrella as the Kentucky Derby.

Churchill Downs Inc said it will pay $85m to buy the trademarks and associated rights to the Preakness and the Black-Eyed Susan Stakes from 1/ST Maryland LLC, an affiliate of 1/ST Racing.

The agreement covers the intellectual property tied to the races, not the events themselves. Under a separate licensing arrangement, Churchill Downs will grant the state of Maryland the rights needed to continue staging the races in exchange for an annual fee.

The transaction follows a 2024 agreement in which Maryland bought Pimlico Race Course from 1/ST Racing but allowed the company to retain the intellectual property rights to the Preakness and Black-Eyed Susan Stakes. Under that arrangement, 1/ST received annual payments and a share of wagering revenue tied to the races.

The Preakness Stakes, first run in 1873, is the second leg of US horse racing’s Triple Crown, held two weeks after the Kentucky Derby and followed by the Belmont Stakes. The Black-Eyed Susan Stakes, a major race for three-year-old fillies, is traditionally run the day before the Preakness at Pimlico Race Course in northwest Baltimore."

Friday, April 17, 2026

Monkey selfie from 15 years ago accidentally sets precedent for AI copyright dispute; Yahoo News, April 17, 2026

 Daniel Gala , Yahoo News; Monkey selfie from 15 years ago accidentally sets precedent for AI copyright dispute

"What does a selfie taken by a monkey in 2011 have to do with the videos, photos, and music created using today's artificial intelligence tools?

The answer — that the works in question were not created by humans — could have enormous ramifications for the future of intellectual property rights."

Thursday, March 26, 2026

America's Newspapers emphasizes importance of protecting publishers’ intellectual property; Editor & Publisher, March 25, 2026

 Staff | America's Newspapers , Editor & Publisher; America's Newspapers emphasizes importance of protecting publishers’ intellectual property

"America’s Newspapers has issued the following statement in response to the comprehensive national legislative framework on artificial intelligence released by the Trump administration...

Specifically, the framework affirms that the creative works and unique identities of American innovators, creators and publishers must be respected in the age of AI. At the same time, it recognizes that artificial intelligence systems require access to information to learn and improve, and proposes a balanced approach that both enables innovation and safeguards the rights of content creators.

“America’s Newspapers strongly supports the administration’s recognition that high-quality journalism and original content are essential to the continued strength of our democracy and economy,” said Matt McMillan, chair of America’s Newspapers and CEO of Press Publications."

Monday, February 16, 2026

ByteDance says it will add safeguards to Seedance 2.0 following Hollywood backlash; CNBC, February 16, 2026

 Dylan Butts, CNBC; ByteDance says it will add safeguards to Seedance 2.0 following Hollywood backlash

"Chinese tech giant ByteDance has said it will strengthen safeguards on a new artificial intelligence video-making tool, following complaints of copyright theft from entertainment giants. 

The tool, Seedance 2.0, enables users to create realistic videos based on text prompts. However, viral videos shared online appear to show copyrighted characters and celebrity likenesses, raising intellectual property concerns in the U.S. 

“ByteDance respects intellectual property rights and we have heard the concerns regarding Seedance 2.0,” a company spokesperson said in a statement shared with CNBC."

Thursday, September 25, 2025

Gotta Deport ‘Em All? How Should Nintendo Respond To Immigrant-Hunting Social Media Post From DHS?; Above The Law, September 24, 2025

 Steven Chung , Above The Law; Gotta Deport ‘Em All? How Should Nintendo Respond To Immigrant-Hunting Social Media Post From DHS?

"Last Monday, the Department of Homeland Security (DHS) posted a one-minute video on X (formerly Twitter) and other social media platforms, splicing together clips from the Pokémon anime intro with footage of border patrol agents arresting individuals, all set to the first season’s theme song.

The post’s caption was the famous tagline “Gotta Catch ‘Em All!” At the video’s end, it displayed Pokémon cards featuring photos of convicted criminals facing potential deportation...

Reactions were sharply divided: some users found it hilarious and praised its creativity, while others condemned it as dehumanizing and inappropriate, especially for using a children’s franchise to promote immigration enforcement.

Commenters from both sides speculated on how Nintendo would respond, given the company’s reputation for aggressively enforcing its intellectual property rights — evidenced by actions like issuing DMCA takedowns against over 8,500 GitHub repositories for the Yuzu emulator in 2024 and targeting hundreds of fan games on platforms like Game Jolt in multiple waves since 2016. As of now, Nintendo and The Pokémon Company have not issued any public statement on the matter, despite requests for comment from media outlets. However, Nintendo has at least three viable options."

Saturday, August 9, 2025

News Corp CEO Robert Thomson slams AI firms for stealing copyrighted material like Trump’s ‘Art of the Deal’; New York Post, August 6, 2025

 Ariel Zilber, New York Post ; News Corp CEO Robert Thomson slams AI firms for stealing copyrighted material like Trump’s ‘Art of the Deal’

"The media executive said the voracious appetite of the AI firms to train their bots on proprietary content without paying for it risks eroding America’s edge over rival nations.

“Much is made of the competition with China, but America’s advantage is ingenuity and creativity, not bits and bytes, not watts but wit,” he said.

“To undermine that comparative advantage by stripping away IP rights is to vandalize our virtuosity.”"

Saturday, August 2, 2025

Superman’s Earthly Birthplace? It’s Cleveland, and It’s Embracing Its Hero.; The New York Times, August 1, 2025

 , The New York Times; Superman’s Earthly Birthplace? It’s Cleveland, and It’s Embracing Its Hero.

"In a 2007 article, Sangiacomo asked, “Isn’t it time Cleveland embraced its most famous son?” That article then led to the formation of the Siegel and Shuster Society, a nonprofit that is now spearheading the construction of the Superman memorial. (Sangiacomo is a founding board member and the vice president of the society.)...

The Siegel & Shuster Superman Plaza will sit at the city’s Huntington Convention Center and include statues of Superman in midflight, of Siegel and Shuster, and of Siegel’s wife, Joanne, the original model for Lois Lane...

For Siegel and Shuster, it was a long journey to publication after they created their superhero. They pitched Superman to many publishers before National Comics Publications, the forerunner of DC Comics, took a chance on him in 1938. Having no clue how successful the character would become, the pair sold the rights to their creation for just $130 (around $3,000 in today’s dollars). When they later tried to renegotiate, DC Comics stripped them of credit and denied them further work. Siegel eventually became a typist in Los Angeles and Shuster a messenger in Manhattan. It was not until the 1970s that a publicity campaign brought them recognition and a substantial annuity...

Justin M. Bibb, the mayor of Cleveland, said in an interview that he understood why Superman resonates today in these “chaotic and challenging times.”

“People want to feel good about being better neighbors to one another,” he said. “And so, hopefully, this film inspires us all to be our own version of our best selves.”"

Monday, April 28, 2025

Crumbl is sued for $24M over music copyright violations; Restaurant Business, April 28, 2025

 Jonathan Maze, Restaurant Business; Crumbl is sued for $24M over music copyright violations

"The music group is asking a court to award it as much as $150,000 for each work used without permission, or nearly $24 million...

Crumbl, which operates more than 1,000 locations and is looking for a buyer, has used social media aggressively since its emergence in 2017. Those videos have played a key role in the chain’s growth and ongoing popularity. The company has 9.8 million followers on TikTok and 6.1 million on Instagram...

Warner in its complaint also referred to Crumbl’s own history of pushing back against copyright infringement. It cited the company’s since-settled lawsuit against the cookie chain Dirty Dough, and Crumbl over the years has aggressively gone after upstart companies that it said mimicked its business."

Tuesday, April 22, 2025

U.S. Copyright Office Releases New Copyright Registration Toolkit; U.S. Copyright Office, April 22, 2025

  U.S. Copyright Office, Issue No. 1070U.S. Copyright Office Releases New Copyright Registration Toolkit

"Today, the U.S. Copyright Office released the Copyright Registration Toolkit, a comprehensive resource designed to help creators, small business owners, advisors, and others navigate the copyright system. As part of the Copyright Office’s Copyright for All initiative, the toolkit is a visual breakdown of copyright, including essential information about copyright law, how to prepare for copyright registration, what to expect during the process, and post-registration considerations.

“The Copyright Registration Toolkit makes copyright information more accessible and user-friendly for all creators,” said Associate Register of Copyrights and Director of Public Information and Education Miriam Lord. “Resources like this one empower authors, artists, musicians, and their advisors to protect and manage creative works with confidence.”

Developed in conjunction with the U.S. Patent and Trademark Office's intellectual property (IP) toolkits for trademarks, trade secrets, and patents, these resources collectively provide a broad overview of IP protection under U.S. law.

Copyright Office attorneys, writers, and designers collaborated on the toolkit to ensure it serves as a reliable and engaging reference for creators making business decisions about their creative works and for advisors who help guide them in understanding their rights as IP owners.

To explore the Copyright Registration Toolkit, visit the landing page. For further inquiries, the Public Information Office is available Monday through Friday, 8:30 a.m.–5:00 p.m. eastern time, to assist with questions about the copyright registration process."

Wednesday, January 15, 2025

USPTO releases AI strategic plan; FedScoop, January 15, 2025

 ,  FedScoop; USPTO releases AI strategic plan

"The U.S. Patent and Trademark Office is planning to examine the intersection of artificial intelligence innovation and advancing intellectual property policies as part of a new AI strategy the agency released Tuesday. 

In the document, the USPTO said it intends to study AI-related implications for IP protections and potential uses for the technology to safeguard trademark rights. The agency plans to advocate for the development of “sound judicial precedents and legislation that promote both AI innovation and respect for IP rights, while not unnecessarily constraining future AI innovation.”"

Saturday, October 5, 2024

Library cancels Harry Potter programming over copyright issue; Buckrail, October 4, 2024

 Marianne Zumberge, Buckrail; Library cancels Harry Potter programming over copyright issue

"It’s a sad day for little witches and wizards in Jackson Hole. The Teton County Library’s (TCL) slate of Harry Potter programming has been canceled due to copyright infringement. 

TCL announced the news on Wednesday, Oct. 2. TCL said it had received a cease-and-desist letter from Warner Bros. Entertainment Inc., which owns and controls all things Potter.

“Prior to receiving the letter, Library staff was unaware that this free educational event was a copyright infringement,” TCL’s announcement reads. “In the past, libraries had been encouraged to hold Harry Potter-themed events to promote the books as they were released.”

Three events had been planned for October: A Night at Hogwarts, Harry Potter Trivia for Adults and Harry Potter Family Day."

Thursday, May 5, 2022

Trademark and copyright considerations for NFTs; Reuters, May 2, 2022

Sharon Urias, Reuters ; Trademark and copyright considerations for NFTs

"NFTs are mostly used to verify ownership of digital goods. An easy way to understand NFTs is to think of them as unalterable certificates of authenticity for digital goods. For example, if someone purchases a piece of digital art, the NFT acts to validate and verify ownership and authenticity of the artwork. In the "real world," the closest analogy is an autographed original painting that is authenticated by the artist's signature or a certificate of authenticity issued by a reputable source...

One common question asked by clients is whether, when they purchase NFTs, they also obtain the copyright associated with it. The answer is: Not necessarily. It is important to understand what is included in the smart contract that confers the purchaser's rights to the digital asset. Similar to the purchase of a physical painting in our analogy above, although the purchaser has acquired the right to display the work, and to resell it, ownership of the copyright is not automatically conveyed.

The artist owns the copyright unless the author assigns it to the purchaser...

NFTs present interesting and novel questions for trademarks as well...

One of the questions to be resolved is whether traditional trademark legal doctrines, such as the first-sale doctrine, protects a seller, such as StockX, or whether the NFTs are new, distinct products that seek to capitalize on the trademark owners' marks...

It is always challenging for the law to keep pace with the expansion and development of new technologies and innovations. It is no different with NFTs. With the increased growth of NFTs, the need for protection also grows. Although NFTs present many opportunities for businesses, it is essential that NFT sellers clearly delineate in the smart contract what is and is not permitted with respect to intellectual property rights. In that way, both NFT sellers and buyers will be able to protect themselves and best monetize these assets." 

Saturday, January 1, 2022

Intellectual property in a post-pandemic future part I - The world has become more IP-intensive; Lexology, December 31, 2021

Bird & Bird LLP, Lexology; Intellectual property in a post-pandemic future part I - The world has become more IP-intensive

"The coronavirus pandemic surprised the world a couple of years ago and forced people to adapt to exceptional circumstances. At the start of this series of articles, the return to the “new normal” has already been canceled once due to the omicron variant, and the old saying about the certainty of change feels very concrete.

A great deal has also happened in the field of intellectual property assets during the pandemic. I will discuss these, perhaps to some degree surprising, changes in the following series of articles, the first part of which concerns IP protection activity and its effects during the coronavirus era. In the second part, I will proceed to address the IP cultures of businesses which are nowadays seen as an increasingly significant part of the IP strategies of corporations. The third and final section of the series is dedicated to IP issues regarding sustainable development. All the themes mentioned show that even in the field of IP rights, only change is permanent and succeeding in a changing IP field requires companies to adapt a considerably more active and conscious frame of mind."

Wednesday, December 1, 2021

E-commerce and China: Strategies for fighting online counterfeits, Part 2; United States Patent and Trademark Office Webinar: Thursday, December 2, 2021 9 AM - 10:30 AM EST

United States Patent and Trademark Office Webinar; E-commerce and China: Strategies for fighting online counterfeits, Part 2

E-Commerce and China

"E-commerce now accounts for nearly 14% of all retail sales, and continues to grow at a healthy rate. But U.S. businesses engaged in e-commerce, especially small and medium-sized enterprises (SMEs), face a number of challenges in protecting their intellectual property (IP) on e-commerce platforms.

Register now for this free program to learn proven strategies for protecting and enforcing your IP rights when selling on e-commerce platforms.

Part 2 of the two-part series will focus on administrative and judicial mechanisms for enforcing IP rights and combatting the sale of Chinese counterfeits on e-commerce platforms in China. The program will feature presentations by senior United States Patent and Trademark Office (USPTO) IP attorneys with extensive China IP experience and experts from Mattel, Specialized Bicycles, and Amazon.

Topics to be covered include: 

  • overview of administrative, civil, and criminal IP enforcement
  • strategies for collaborating with e-commerce platforms
  • industry perspectives and experiences
  • establishing a criminal case

During the program, participants can submit their questions to a dedicated email box. There will be time allotted to respond to participants' questions.

(Note: Although some advanced IP topics may be touched upon in the webinar, the materials presented are intended for representatives from SMEs with limited experience in IP protection and enforcement in China.)"


Register today

Tuesday, April 21, 2020

The Difference Between Copyrights, Trademarks and Patents; The New York Times, April 16, 2020

The Difference Between Copyrights, Trademarks and Patents

Whether you’re an inventor, a writer or an artist, you need to know what these each mean — and which you need to protect your work.

"Intellectual property theft has always been a problem, but it has never affected as many people as it does today. If you’ve taken a photo, recorded a song or written a letter, you’ve likely created a copyright. If you operate a small business, you probably qualify for trademark protection, and if you invent something, you may be able to patent it. But the same tools that make it easy to distribute your work online make it easier than ever to steal.

Intellectual property, or I.P., is everywhere, but almost nobody who is not a lawyer understands how to protect their art, business or inventions. This article is no substitute for real legal advice, but it should give you an idea of what questions you need to ask next. I.P. law is vast, so this will focus on basic terms you’ve probably heard: copyrights, trademarks and patents. Let’s get started."

Friday, April 17, 2020

How the ‘Greatest Rock and Roll Band in the World’ Got Its Logo; The New York Times, April 13, 2020

, The New York Times; How the ‘Greatest Rock and Roll Band in the World’ Got Its Logo

"The logo has generated an enormous amount of money for the Stones. The British public relations veteran Alan Edwards, who handled the band’s publicity in the ’80s, said the Stones “must have grossed a good billion [pounds] in concerts, record and DVD sales, merchandising and exhibitions” and also used the logo “all over advertising.” Samuel O’Toole, an intellectual property lawyer at Briffa Legal in London, estimated the figure to be “hundreds of millions of pounds.”"