The Original Sin of Anthropic’s Claude; The New York Times, August 24, 2026

 Charles Graeber, The New York Times; The Original Sin of Anthropic’s Claude

"One day, hopefully copyright protections will be extended to prevent the unlicensed training of A.I.s.

Until then, we live in a legal gray area, in which giant cash-rich corporations gorge freely on the rights of individual creators. The big ones will continue to eat the little ones unless the little ones can band together.

It’s up to us to demand legislation extending copyright protections in the 21st century. Many members of Congress appear willing; property protections have appeal for both sides of the aisle.

Affirming those copyright protections to include A.I. might even force A.I. companies to hire human writers to create original works for their L.L.M.s to train on. Or perhaps they’ll start spending their treasure like modern Medicis, funding the quality work A.I.s need to stay sharp. At the very least, they might invest in publishing houses and writing programs, fending off model collapse while ushering in a Silicon Era of artistic enlightenment.

I worry for this generation of artists coming of age in yet another technological adolescence, on the brink of so many cultural and economic disruptions.

But I do not worry for the future of art itself. We will always need human mediators to translate the human experience and make the flesh word."

Copyright Law in 2025: Courts begin to draw lines around AI training, piracy, and market harm; Reuters, March 16, 2026

 Edward D. Lanquist and Benjamin West Janke , Reuters; Copyright Law in 2025: Courts begin to draw lines around AI training, piracy, and market harm

"In 2025, U.S. courts issued the first substantive, merits-stage decisions addressing whether the use of copyrighted works to train generative artificial intelligence systems constitutes "fair use." Although these rulings do not settle all open questions — and in some respects highlight emerging judicial disagreements — they represent a significant inflection point in copyright law's response to large language models, image generators, and other foundation models.

Taken together, these cases establish early guideposts for AI developers, publishers, media companies, and enterprises deploying generative AI systems. Below, we summarize the most important copyright ​decisions and pending cases shaping the law in 2025...

Conclusion and recommendations

The ​2025 decisions reflect cautious but meaningful progress in defining how copyright law applies to generative AI. Courts are increasingly receptive to fair use arguments for training on lawfully acquired data, deeply skeptical of speculative market-harm claims, and uniformly intolerant of piracy. At the same time, cases involving direct competition, news content, and human likeness may test the limits of these early rulings."

President Biden, creatives need copyright champions in the federal government ; The Hill, January 7, 2022

  

RUTH VITALE, THE HILL; President Biden, creatives need copyright champions in the federal government 

"The copyright industries bring not only cultural but also economic prosperity to our country. They contribute $1.5 trillion per year of value to the U.S. GDP, accounting for 7.41 percent of the national economy. U.S. copyright products sold overseas amounted to nearly $219 billion in sales in 2019 – more than other major industries including pharmaceuticals, aerospace, and agriculture. 

President Biden has personally demonstrated long-standing support for the creative industries. As a senator 20 years ago, he convened a hearing called “Theft of American Intellectual Property: Fighting Crime Abroad and at Home.” As vice president, over 10 years ago, he helped to implement a new law that created the Office of Intellectual Property Enforcement Coordinator. Unequivocally, he stated, “Piracy is theft. Clean and simple.”...

Infringing content draws users to platforms, helping to fuel BigTech’s ascent to previously inconceivable heights of wealth. Meanwhile, digital pirates are stealing the rightful earnings of hard-working Americans, facilitated by Big Tech. The U.S. Chamber of Commerce estimates that digital piracy takes between $29.2 billion and $71 billion from the national economy every year. It also takes away between 230,000 and 560,000 American jobs...

I remain hopeful that President Biden’s future appointments will better reflect his lengthy and strong record in support of respect for copyright. Specifically, the position of U.S. Intellectual Property Enforcement Coordinator (IPEC) is open once again.  

As the president knows better than anyone else, the person serving in the IPEC’s role oversees Executive Office efforts to curb piracy, domestically and abroad. The previous IPEC was confirmed by the Senate in August of 2017 – today, during a critical moment for the creative communities, the position is vacant."