Showing posts with label access to banned books. Show all posts
Showing posts with label access to banned books. Show all posts

Monday, August 4, 2025

‘1984’ Hasn’t Changed, but America Has; The New York Times, July 27, 2025

 Charlie English , The New York Times; ‘1984’ Hasn’t Changed, but America Has


[Kip Currier: It's incredibly heartening -- and disheartening at the same time -- to read about post-WWII "CIA Book Program" efforts to provide Soviet-propagandized citizens with access to books, ideas, and information (e.g. George Orwell's "1984"), but then reflect on book banning efforts in American libraries and censorship and erasure of information in museums like the Smithsonian right now.]

[Excerpt]

"There are myriad reasons the Eastern Bloc collapsed in 1989. The economic stagnation of the East and the war in Afghanistan are two of the most commonly cited. But literature also played its part, thanks to a long-running U.S. operation conducted by the Central Intelligence Agency that covertly moved millions of books through the Iron Curtain in a bid to undermine Communist Party censorship.

While it is hard to quantify the program’s effect in absolute terms, its history offers valuable lessons for today, not least since some of the very same titles and authors the C.I.A. sent East during the Cold War — including “1984”— are now deemed objectionable by a network of conservative groups across the United States.

First published in English in 1949, Orwell’s novel describes the dystopian world of Oceania, a totalitarian state where the protagonist, Winston Smith, works in a huge government department called the Ministry of Truth. The ministry is ironically named: Its role is not to safeguard the truth but to destroy it, to edit history to fit the present needs of the party and its leader, Big Brother, since, as the slogan runs, “Who controls the past controls the future: who controls the present controls the past.”

In the real Soviet system, every country had its equivalent of the Ministry of Truth, modeled on the Moscow template. In Poland, the largest Eastern European nation outside the Soviet Union, this censorship and propaganda apparatus was called the Main Office for the Control of Presentations and Public Performances, and its headquarters occupied most of a city block in downtown Warsaw.

From art to advertising, television to theater, the Main Office reached into all aspects of Polish life. It had employees in every TV and radio station, every film studio and every publishing house. Every typewriter in Poland had to be registered, access to every photocopier was restricted, and a permit was needed even to buy a ream of paper. Books that did not conform to the censor’s rules were pulped.

The result was intellectual stultification, what the Nobel laureate Czeslaw Milosz called a logocracy, a society where words and language were manipulated to fit the propaganda needs of the regime...

Troublesome people, inconvenient facts and awkward areas of journalistic inquiry were removed from public life...

Orwell was made a “nonperson” in the Soviet Union, after the publication of his satire of the Russian Revolution, “Animal Farm,” in 1945. It was dangerous even to mention the author’s name in print there, and when “1984” was published it was banned in the Eastern Bloc in all languages. But when copies of the novel did slip through the Iron Curtain, they had enormous power. The book was “difficult to obtain and dangerous to possess,” Milosz wrote, but Orwell — who had never visited Eastern Europe — fascinated people there because of “his insight into details they know well.”

What some Eastern European readers of contraband copies of “1984” suspected, but very few knew for sure, was that these and millions of other uncensored texts were not reaching them entirely by chance, but were part of a decades-long U.S. intelligence operation called the “C.I.A. book program,” based for much of its existence in the nondescript office building at 475 Park Avenue South in Midtown Manhattan. There, a small team of C.I.A. employees organized the infiltration of 10 million books and periodicals into the Eastern Bloc, sending literature by every imaginable means: in trucks fitted with secret compartments, on yachts that traversed the stormy Baltic, in the mail, or slipped into the luggage of countless travelers from Eastern Europe who dropped in at C.I.A. distribution hubs in the West."

Monday, June 2, 2025

This independent library champions banned books by Black women; Scripps News, May 29, 2025

 Kadia Tubman , Scripps News; This independent library champions banned books by Black women


[Kip Currier: 
OlaRonke Akinmowo, creator of Brooklyn, New York's Free Black Women’s Library, personifies courage, fortitude, and determination.

Brava for promoting access to information and free expression, especially by and for marginalized and historically disenfranchised voices.]

[Excerpt]

"Public libraries are under intense pressure with their funding threatened and their books facing increased scrutiny, leaving independent libraries as one of the last safe spaces for people to access books free from political pressure.

The Free Black Women’s Library, a community and grassroots-funded library in Brooklyn, New York, has found a way to keep moving forward amid widespread cutbacks.

“They call it a third space. It's not a space where you work. It's not a space for you to shop. It's a space that doesn't involve spending money. It's a space where you get to be in community, where you can interact with your peers, where you get to experience conversation and creativity and fun,” OlaRonke Akinmowo, creator of the Free Black Women’s Library, told Scripps News. 

She added, "This space is different from a standard library because all the books are written by black women and black non-binary authors."

Akinmowo launched the library in 2015 with 100 books and a mission to showcase “the brilliant creativity and diversity of black women writers.”

The library’s collection has grown to more than 5,000 books, written by Black women and Black nonbinary authors, often featuring books that are being banned across the country.

“In this moment, I'm very much invested in making sure that people have access to all the so-called banned books,” Akinmowo said, while pointing out banned books sitting on shelves around the library. “There's tons of books in here that you won't see or find anywhere else.”

“They're trying to say that these books are a problem — are propaganda that needs to be erased, needs to be removed, needs to be set on fire,” she continued. “Not on my watch. I'm not going for that.”"