Biden bids farewell with dark warning for America: the oligarchs are coming; The Guardian, January 15, 2025

 David Smith in Washington , The Guardian; Biden bids farewell with dark warning for America: the oligarchs are coming

"The primetime speech did not mention Donald Trump by name. Instead it will be remembered for its dark, ominous warning about something wider and deeper of which Trump is a symptom.

“Today, an oligarchy is taking shape in America of extreme wealth, power, and influence that literally threatens our entire democracy, our basic rights and freedom and a fair shot for everyone to get ahead,” Biden said.

The word “oligarchy” comes from the Greek words meaning rule (arche) by the few (oligos). Some have argued that the dominant political divide in America is no longer between left and right, but between democracy and oligarchy, as power becomes concentrated in the hands of a few. The wealthiest 1% of Americans now has more wealth than the bottom 90% combined.

The trend did not start with Trump but he is set to accelerate it. The self-styled working-class hero has picked the richest cabinet in history, including 13 billionaires, surrounding himself with the very elite he claims to oppose. Elon Musk, the world’s richest man, has become a key adviser. Tech titans Musk, Jeff Bezos and Mark Zuckerberg – collectively worth a trillion dollars – will be sitting at his inauguration on Monday.

Invoking former president Dwight Eisenhower’s farewell address in January 1961 that warned against the rise of a military-industrial complex, Biden said: “Six decades later, I’m equally concerned about the potential rise of a tech industrial complex. It could pose real dangers for our country as well. Americans are being buried under an avalanche of misinformation and disinformation, enabling the abuse of power.”

In an acknowledgement of news deserts and layoffs at venerable institutions such as the Washington Post, Biden added starkly: “The free press is crumbling. Editors are disappearing. Social media is giving up on fact checking. Truth is smothered by lies, told for power and for profit. We must hold the social platforms accountable, to protect our children, our families and our very democracy from the abuse of power.”

Zuckerberg’s recent decision to abandon factcheckers on Facebook, and Musk’s weaponisation of X in favour of far-right movements including Maga, was surely uppermost in Biden’s mind. Trust in the old media is breaking down as people turn to a fragmented new ecosystem. It has all happened with disorienting speed."

USPTO releases AI strategic plan; FedScoop, January 15, 2025

 CAROLINE NIHILL,  FedScoop; USPTO releases AI strategic plan

"The U.S. Patent and Trademark Office is planning to examine the intersection of artificial intelligence innovation and advancing intellectual property policies as part of a new AI strategy the agency released Tuesday. 

In the document, the USPTO said it intends to study AI-related implications for IP protections and potential uses for the technology to safeguard trademark rights. The agency plans to advocate for the development of “sound judicial precedents and legislation that promote both AI innovation and respect for IP rights, while not unnecessarily constraining future AI innovation.”"

In Living Color Libraries offer corrective glasses to color-blind patrons; American Libraries, January 2, 2025

Cass Balzer , American Libraries; In Living Color Libraries offer corrective glasses to color-blind patrons

"In recent years, libraries of all sizes have begun adding color-corrective glasses to their Library of Things collections. Made possible primarily through partnerships with manufacturers, patrons can test these glasses out before committing to purchasing their own pair...At North Carolina State University Libraries (NCSUL) in Raleigh, the color-corrective glasses lending program is part of a broader focus on accessibility and wellness. Learning Innovation Librarian Adam Rogers collaborated with EnChroma and the university’s Color Science Lab to launch the initiative in 2021 with an on-campus event. Approximately 40 people attended and tried the product, and a few pairs were given away.

NCSUL has since added four pairs of glasses to its permanent Technology Lending Program and featured them in an exhibit for students and staffers to try on. Since the program began, the glasses have been checked out 81 times. But Rogers emphasizes that the value isn’t measured in the number of checkouts. “This is very different than lending out some other technology, like a camera,” he says. “There is an accessibility role here.”

EBPL’s circulation has been slow-moving so far—something Vocht hopes to increase with additional marketing and outreach—but she says the glasses have substantial emotional impact. “My colleague’s husband is pretty severely color-blind,” she says. “He borrowed [the glasses] and just spent time on the computer, just looking at pictures of autumn foliage and of the ocean.”

Rogers echoes that sentiment. North Carolina State’s university colors are red and white, and for many with color blindness, reds appear as brown or yellow. Rogers recalls seeing a student put on the glasses for the first time and, speechless, realize he was sitting at a bright red table.

“Having that impact, even with one person, is just so meaningful,” he says. “Both personally and for the library’s role in the community.”"

USPTO announces new Artificial Intelligence Strategy to empower responsible implementation of innovation; United States Patent and Trademark Office (USPTO), January 14, 2025

 United States Patent and Trademark Office (USPTO) ; USPTO announces new Artificial Intelligence Strategy to empower responsible implementation of innovation 

"AI Strategy outlines how the USPTO will address AI's impact across IP policy, agency operations, and the broader innovation ecosystem  

WASHINGTON—The U.S. Patent and Trademark Office (USPTO) announced a new Artificial Intelligence (AI) Strategy to guide the agency’s efforts toward fulfilling the potential of AI within USPTO operations and across the intellectual property (IP) ecosystem. The Strategy offers a vision for how the USPTO can foster responsible and inclusive AI innovation, harness AI to support the agency’s mission, and advance a positive future for AI to ensure that the country maintains its leadership in innovation. 

“We have a responsibility to promote, empower, and protect innovation,” said Derrick Brent, Acting Under Secretary of Commerce for Intellectual Property and Acting Director of the USPTO. “Developing a strategy to unleash the power of AI while mitigating risks provides a framework to advance innovation and intellectual property.”  

The strategy aims to achieve the USPTO’s AI vision and mission through five focus areas which include: 

1. Advance the development of IP policies that promote inclusive AI innovation and creativity. 
2. Build best-in-class AI capabilities by investing in computational infrastructure, data resources, and business-driven product development. 
3. Promote the responsible use of AI within the USPTO and across the broader innovation ecosystem.
4. Develop AI expertise within the USPTO’s workforce.
5. Collaborate with other U.S. government agencies, international partners, and the public on shared AI priorities.

The USPTO and our sister agencies within the Department of Commerce, as well as the U.S. Copyright Office, are providing critical guidance and recommendations to advance AI-driven innovation and creativity. In 2022, the USPTO created the AI and Emerging Technology (ET) Partnership, which has worked closely with the AI/ET community to gather public feedback through a series of sessions on topics related to AI and innovation, biotech, and intellectual property (IP) policy. Since its 2022 launch, more than 6,000 stakeholders have engaged with us on these critical issues. In addition, the USPTO collaborates across government to advance American leadership in AI by promoting innovation and competition as set forth in the Biden-Harris Administration’s landmark October 2023 AI Executive Order. 

The full text of the AI Strategy can be found on the AI Strategy webpage. Additionalinformation on AI, including USPTO guidance and more on USPTO’s AI/ET Partnership, can be found on our AI webpage. "

Biden says Jimmy Carter’s ‘enduring attribute’ was character.; The New York Times, January 9, 2025

 Michael D. Shear, The New York Times; Biden says Jimmy Carter’s ‘enduring attribute’ was character.

 "Mr. Biden spent little time recounting Mr. Carter’s accomplishments, as had already been done by other speakers at the funeral. Instead, he focused on “Jimmy Carter’s enduring attribute: character, character, character.”

He said that character was the reason he endorsed Mr. Carter’s presidential campaign in the 1970s, well before many other Democratic politicians. He said it was Mr. Carter’s character that allowed him to survive in a world of powerful pressures.

“It is the story of a man who never let the ties of politics divert him from his mission to serve and shape the world,” he said. “The man had character.”"

Burned Out? Start Here.; The New York Times, January 7, 2025

 Ezra Klein , The New York Times; Burned Out? Start Here.

"I like to begin the show each year with an episode about something I’m thinking through personally. Call it resolutions-adjacent podcasting. And what was present for me as we neared the end of last year was a pretty real case of burnout. I took some of December off, and I’m feeling more grounded now. But that was my frame of mind when I picked up Oliver Burkeman’s “Meditations for Mortals: Four Weeks to Embrace Your Limitations and Make Time for What Counts.”

The book connected for me. Burkeman’s big idea, which he described in “Four Thousand Weeks: Time Management for Mortals,” his 2021 best seller, is that no productivity system will ever deliver what it is promising: a sense of control, a feeling that you’ve mastered your task list in some enduring way, that you’ve built levees strong enough to withstand life’s chaos.

So Burkeman’s question is really the reverse: What if rather than starting from the presumption that it can all be brought under control, you began with the presumption that it can’t be? What if you began with a deeper appreciation of your own limits? How then would you live?

Do I think Burkeman — or anyone, really — has the answer to that question? No. But I do think he asks good questions, and he curates good insights. And questions are often more useful than answers."

CSotD: Telnaes is only unemployed, not gone; The Daily Cartoonist, January 4, 2025

 MIKE PETERSON, The Daily Cartoonist; CSotD: Telnaes is only unemployed, not gone

"We try to avoid duplication and stepping on each other’s toes around here, and by now you’ve likely seen DD Degg’s coverage of Ann Telnaes’ resignation from the Washington Post. And if you haven’t seen his coverage here, you’ve almost certainly seen some coverage because it is all over the Internet, with regret and praise coming from around the globe. As of seven this morning, her Substack announcement had 5,307 likes and had been shared 910 times...

Seeing these pieces on the importance of political cartooning and press freedom, it’s easy to recognize how inconsistent it would have been for her to accept the squelching of her voice by the Post’s current management.

Telnaes will no longer be on the pages of the Washington Post, but perhaps going out into the wider world will make her voice heard by a more diverse audience, particularly if the Post continues to cater to the new administration while hemorrhaging both talent and readership.

She’ll need support on her Substack, by which I mean subscriptions, not just applause, and if you haven’t been supporting small and local media outlets, this is an excellent place to start. 

The cartoon her editor refused to run, which was the final straw that induced her to walk away from a prestigious and well-paying job, offers the very reasonable suggestion that the billionaires who control major media are selling out to the administration, not just with obedience but in several cases with substantial financial contributions.

And here’s something else they’d just as soon not hear anyone say: It seems that major media may be working to gain influence with the wrong people, that they’re making friends with oligarchs but losing touch with their actual customers...

Samizdat is a term that defined underground writings — mimeographed or photocopied — that circulated in the Soviet Union as it began to totter and crash. In our country, in these times, we’re seeing the growth of Substacks and other small-scale publishing by people who, like Ann Telnaes, want to say what they think needs to be said, without being filtered and both-sidesed and required to be “fair and balanced” by management that is more interested in marketing than in journalism.

Supporting small publishers and individual writers matters. The big boys will get along with or without you, but the voices we need to hear need backing."

At the Intersection of A.I. and Spirituality; The New York Times, January 3, 2025

 Eli Tan, The New York Times; At the Intersection of A.I. and Spirituality

"For centuries, new technologies have changed the ways people worship, from the radio in the 1920s to television sets in the 1950s and the internet in the 1990s. Some proponents of A.I. in religious spaces have gone back even further, comparing A.I.’s potential — and fears of it — to the invention of the printing press in the 15th century.

Religious leaders have used A.I. to translate their livestreamed sermons into different languages in real time, blasting them out to international audiences. Others have compared chatbots trained on tens of thousands of pages of Scripture to a fleet of newly trained seminary students, able to pull excerpts about certain topics nearly instantaneously.

But the ethical questions around using generative A.I. for religious tasks have become more complicated as the technology has improved, religious leaders say. While most agree that using A.I. for tasks like research or marketing is acceptable, other uses for the technology, like sermon writing, are seen by some as a step too far."

We're using AI for stupid and unnecessary reasons. What if we just stopped? | Opinion; Detroit Free Press, January 6, 2025

Nancy Kaffer, Detroit Free Press; We're using AI for stupid and unnecessary reasons. What if we just stopped? | Opinion

"We're jumping feet first into unreliable, unproven tech with devastating environmental costs and a dense thicket of ethical problems.

It's a bad idea. And — because I enjoy shouting into the void — we really ought to stop."

Washington Post cartoonist quits after paper rejects sketch of Bezos bowing to Trump; Associated Press (AP) via Washington Post, January 4, 2025

 Todd Richmond | AP via Washington Post; Washington Post cartoonist quits after paper rejects sketch of Bezos bowing to Trump

[Kip Currier: Note that this story posted at 8:08 PM EST January 4, 2025 on the Washington Post website is written by an Associated Press (AP) reporter, not a Washington Post reporter. I have not yet located an article or OpEd piece written by a Washington Post staff person that addresses the Ann Telnaes editorial cartoon controversy, other than the Substack article by Ann Telnaes explaining her resignation.

• When and how will the Washington Post cover this story, and even more importantly, the implications for free presses, access to information, free expression, and democracy?
• Where are the Washington Post OpEd pieces about these issues by internal commentators like Eugene Robinson, Jennifer Rubin, Eric Wemple, etc.?
• Will there be no coverage by the newspaper itself that killed Ann Telnaes' draft cartoon?

The Washington Post's tagline "Democracy Dies in Darkness" is fast becoming an ironic commentary on its own ethical lapses in timely and fulsome reporting, transparency, accountability, and journalistic integrity.]

[Excerpt]

"A cartoonist has decided to quit her job at the Washington Post after an editor rejected her sketch of the newspaper’s owner and other media executives bowing before President-elect Donald Trump.

Ann Telnaes posted a message Friday on the online platform Substack saying that she drew a cartoon showing a group of media executives bowing before Trump while offering him bags of money, including Post owner and Amazon founder Jeff Bezos.

Telnaes wrote that the cartoon was intended to criticize “billionaire tech and media chief executives who have been doing their best to curry favor with incoming President-elect Trump.” Several executives, Bezos among them, have been spotted at Trump’s Florida club Mar-a-Lago. She accused them of having lucrative government contracts and working to eliminate regulations."

Why I'm quitting the Washington Post; Open Windows, January 3, 2025

 ANN TELNAES, Open Windows; Why I'm quitting the Washington Post

"I’ve worked for the Washington Post since 2008 as an editorial cartoonist. I have had editorial feedback and productive conversations—and some differences—about cartoons I have submitted for publication, but in all that time I’ve never had a cartoon killed because of who or what I chose to aim my pen at. Until now.

The cartoon that was killed criticizes the billionaire tech and media chief executives who have been doing their best to curry favor with incoming President-elect Trump. There have been multiple articles recently about these men with lucrative government contracts and an interest in eliminating regulations making their way to Mar-a-lago. The group in the cartoon included Mark Zuckerberg/Facebook & Meta founder and CEO, Sam Altman/AI CEO, Patrick Soon-Shiong/LA Times publisher, the Walt Disney Company/ABC News, and Jeff Bezos/Washington Post owner. 

While it isn’t uncommon for editorial page editors to object to visual metaphors within a cartoon if it strikes that editor as unclear or isn’t correctly conveying the message intended by the cartoonist, such editorial criticism was not the case regarding this cartoon. To be clear, there have been instances where sketches have been rejected or revisions requested, but never because of the point of view inherent in the cartoon’s commentary. That’s a game changer…and dangerous for a free press...

Over the years I have watched my overseas colleagues risk their livelihoods and sometimes even their lives to expose injustices and hold their countries’ leaders accountable. As a member of the Advisory board for the Geneva based Freedom Cartoonists Foundation and a former board member of Cartoonists Rights, I believe that editorial cartoonists are vital for civic debate and have an essential role in journalism. 

There will be people who say, “Hey, you work for a company and that company has the right to expect employees to adhere to what’s good for the company”. That’s true except we’re talking about news organizations that have public obligations and who are obliged to nurture a free press in a democracy. Owners of such press organizations are responsible for safeguarding that free press— and trying to get in the good graces of an autocrat-in-waiting will only result in undermining that free press.

As an editorial cartoonist, my job is to hold powerful people and institutions accountable. For the first time, my editor prevented me from doing that critical job. So I have decided to leave the Post. I doubt my decision will cause much of a stir and that it will be dismissed because I’m just a cartoonist. But I will not stop holding truth to power through my cartooning, because as they say, “Democracy dies in darkness”.

Thank you for reading this."

A Pulitzer winner quits 'Washington Post' after a cartoon on Bezos is killed; NPR, January 4, 2025

David Folkenflik, NPR; A Pulitzer winner quits 'Washington Post' after a cartoon on Bezos is killed

[Kip Currier: Every day, U.S. oligarchs like Washington Post owner Jeff Bezos and Los Angeles Times owner Patrick Soon-Shiong feel more emboldened to cravenly censor criticism of themselves and impede freedom of expression and access to information.

Thank you, Ann Telnaes, for speaking truth to power with your satirical artistry and standing up for the importance of free and independent presses with your principled resignation decision. As the Pulitzer Prize-winning editorial cartoonist underscored in explaining her resignation, "Democracy can't function without a free press".

The evidence is now even more clear than one year or a decade ago: Consolidation of ownership of print journalism and broadcast media by a few billionaires and corporate conglomerates chills the ability to dissent and provide access to diverse perspectives.

The diagnosis and ramifications are also clear: Having a handful of oligarchs control America's newspapers is antithetical to well-informed citizenries and healthy democracies. (See here for a prescient 2017 article by veteran journalist and free speech/free press advocate Bill Moyers.)

Potential remedies? It's absolutely imperative that free speech-supporting Americans develop and nurture alternative ways to promote access to information and freedom of expression, as is increasingly being done on Substack accounts (see examples here, and here, and here) and via podcasts.

In the longer term, collaborative trusts (see here, for example) that can purchase newspapers and share ownership among more than one individual offer some potential ways to challenge oligarch newspaper monopolies.]

[Excerpt]

"A Pulitzer Prize-winning cartoonist for the Washington Post has resigned after its editorial page editor rejected a cartoon she created to mock media and tech titans abasing themselves before President-elect Donald Trump.

Among the corporate chiefs depicted by Ann Telnaes was Amazon founder and Post owner Jeff Bezos. The episode follows Bezos' decision in October to block publication of a planned endorsement of Vice President Harris over Trump in the waning days of last year's presidential elections.

The inspiration for Telnaes' latest proposed cartoon was the trek by top tech chief executives including Bezos to Trump's Florida estate, Mar-a-Lago, as well as the seven-figure contributions several promised to make toward his inauguration. She submitted a sketch before Christmas. It was never published."